The search is on: Bryn Christopher's "The Quest" (Nu-soul)

"Bryn Christopher is soul-searching" by Marcus Scott

UK native Bryn Christopher’s vocals are an atomic blast in the aftermath of a mushroom cloud on his four-track EP, The Quest. With the current Soul/Jazz revival of Europe, Christopher couldn’t have come at a better time with his music—a Wall of Sound effect ala big beat marching band—in a genre making a huge splash on mainstream radio. Only a few years ago, tabloid queen Amy Winehouse made her crossover the US pop scene before a superfluity of others came—Duffy, Adele, Yelle—Christopher has taken notes that may lead him to success.

Listening to the tear-jerking downtempo electronica piano rock number “Taken Me Over,” a song that sounds like a fog rolling over a salty sea bares testimony. A song about breathing after getting over a rough patch, the song creates a beauty that’s missing in pop music: it gives the lyrical content atmosphere. A song that may draw comparisons to Coldplay’s “Speed of Sound,” Christopher’s raspy and distorted high tenor is given that extra push—with the clinking drum machines and easy listening synthpop keys—no doubt a miracle produced by Jarrad “Jaz” Rodgers, who plays the tunes for all the songs on the record. Add lyrics like “It’s been a long while until you pulled into the station of my mind,” and you’ve got an interesting track.

Nothing comes close to the hellbent fury of standout “My World,” a work of art by means of contemporary pop standards. Its reincarnation themed tune is boosted with casually gritty hoarse intonation selling his sound and leaving viewers listening, wanting more bulk to the too-short record. Its funk soul movin’-on-up introduction to its doo-wop Motown pop resonance calls to mind the magic of groups Ike & Tina and Marvelettes. The only thing missing with the song is a short cameo, maybe a rap, especially to a song that’s reminiscent of Heavy D & The Boyz hit “Now That We Found Love” with its pulsing choir backbeat.

The EP, however has its setbacks and while Christopher shows off his powerful range, takes less risks vocally, accessing notes in a more forceful growl than a soft coo that could be layered nicely in songs like “The Quest (acoustic).” Also, the length of the record is too short. While EPs are short, it almost feels he kicked out of the studio. Nonetheless, Christopher has achieved his goal, the record keeps listeners interested until his next work in progress and aren’t those the point of EPs?

Pebble to a Pearl: Nikka Costa Interview (Nu-Soul Magazine)

Turning pebbles into pearls: A Nikka Costa Interview

By Marcus Scott

In the electric mist of a phone line, there’s a voice. It’s remarkably refreshing, high in spirits and with spurts of sporadic energy so strong and charismatic it’s like a black hole pulling the cosmos in. That voice can only come from Tokyo-born soul aficionado Nikka Costa. Only a few years her music laced the soundtrack of motion picture Blow and the Mark Ronson produced hit single “Like A Feather” played on MTV rotation. Of course, only a few people have that power: Mostly, artists with a unique vision. Here vision came from the past. Bringing back the heyday funk mystique of the Vietnam-torn rock Woodstock/Motown era, Costa stirred up a cauldron of groovy tunes. The ginger-haired spitfire spoke to Nu-Soul about her efforts in music, where she is in life, her laid-back style and new release Pebble To A Pearl though laughs and self-discovery.

Nu-Soul: Did you have a lot of trouble releasing this record? If so, explain some of bad experiences with record companies, your experience with your old label mate and your current experience as an artist in conjunction with Stax Records.

Nikka: I actually I had trouble with the last record, while I was at Virgin. Because I had four different presidents when I was there and that made for a kind or fractured promotion. So, it was difficult but I was still so thrilled to get out of the label. Then I was really left to my own devices as an artist and had to figured out what I wanted to do. Basically this new record that’s coming out—all on my own and self-funded and everything—I didn’t think I wanted to be signed to another label with so much freedom. The people at Stax, they heard a record was coming out and they showed they were really big fans and wanted to hear it. So, they heard it and really loved it. After talked it seemed like really good fit. The stamp of Stax is great for me because they’re relaunching it. What did for as for artists introduced to the world historically is thrilling. The fact that they wanted to sign me on the merit of the record that I had already been made, so in other words, I didn’t have to compromise as an artist for the first time with a label.

Nu-Soul: Your father, Don Costa, was a huge and influential record producer, who worked with Rat Pack greats Frank Sinatra and Sammy Davis, Jr. How has this experience influenced your soulful music fashion?

Nikka: I think growing up around that caliber of musician and [listening] to sound checks and [sitting in] the studio doing my homework while a 60-piece orchestra recording, it was kind of filtered in. I was really young so I wasn’t really focused on it. But do think it seeps in. Its really hard to draw direct comparisons that came from being influenced by the music that my dad did. I also had an immense appreciation for that standard of music and jazz, and that bar is hard to what I want to strive to create.

Nu-Soul: The new album has an interesting title. What is the meaning behind the title of the record? What separates a pebble from a pearl?

Nikka: What separates a pebble from a pearl? (laughs) Obviously it’s a metaphor that I thought was sitting as my evolution as an artist and also being free from the last ten years of being with a record label that wanted me to kind dim myself or dumb down. They wanted me to do music that I didn’t necessarily agree with. There was a lot of struggle to try to keep my integrity, and so it was kind of my evolution. The song “Pebble To A Pearl,” really is based off of Nelson Mandela’s Inauguration Speech which was originally quoted from Marianne Williamson that’s basically saying don’t dim yourself so other won’t feel insecure, and don’t be afraid to shine the brightness you possibly can because that’s the way to kind of add to the world. I felt that was a good reminder to me while I was making the record, and to anyone that’s kind of growing up.

Nu-Soul: Since the sexy-funky American exposure of “Like A Feather,” your music has been featured in various advertisements however, you’ve remained severely hidden from the spotlight. How is the record being promoted?

Nikka: Well, it’s only just begun. It comes out October 14th. It’s being promoted on the internet; I’m going out on a nationwide tour in October, then I’ll be going over to Europe. Because I really think my live shows are really my best promotions. I take real pride in my live shows. I have a great band and a horn section and we have a great time. People bring their friends. Any body who doesn’t know who I am, they’re like, “Oh my God! I had no idea! We had a really great time.” It’s a really good time, and obvious the record company and Giant Step are doing their side of it as well.

Nu-Soul: What’s this about your “dream band”? Why did you and producer Justin Mitchell Stanley add these talent artists to the record? How did you get in contact with them?

Nikka: We were just looking around and we thought [about] what were the most amazing musicians we could think of to play these songs all in one room. Because that’s how recorded everything. We did 15 fifteen songs in five days. Obviously, James Gadson is a legend and as played on so many historic records. We started from him and just kind of went down the list of people we love that we thought were very versatile and could really take the songs to totally different level. It was just an amazing five days that when we made this record. Everyone was really into it and worked really hard. It was a really great experience.

Nu-Soul: Describe the songwriting process of the record. What was the inspiration behind the notion of your lyrics and song concepts?

Nikka: I think obviously it was the situation of being free, worrying about anyone’s opinions on it. I didn’t think about people liking it or rather it would be played on the radio. All the little seeds of doubt that inevitably other people plant, it was very organic. We wrote all these songs in a month without studio time, and we just put our heads down and went for it. It was really like a haze (laughs) that was a complete focus that I can’t describe. I knew what I wanted to make musically, I was really stick to that form. I knew I wanted it to be soulful, and with horns. I knew I wanted it to have an alive kind of feeling so it could just flow. Song by song, it’s about life, obstacles and overcoming them, and all that.(laughs)

Nu-Soul: What would you describe your sound as to person whose never heard of Nikka Costa?

Nikka: this record, I use the term organic a lot because there’s like a rawness to it. It’s all live, it has real human feeling, its definitely soul. This record is definitely up-feeling, and happy and joyful and kind of gritty rock soul.

Nu-Soul: “Can’t Please Everybody” reminds some listeners of the acid days of Woodstock but based on research, it’s deeply personal. What does this song mean to you?

Nikka: I was feeling free. Its kind of like a mantra to do what you do for yourself and don’t worry about other people’s opinions because it will run you ragged. At the end of the date even if you try to appease everyone, there will still be people that will have some opinion that’s contrary to what you defend. Basically no one wins in that situation. So creatively and even in life, its just to my manta: to do what you do and just enjoy life and do it for yourself.

Nu-Soul: Some songs on the record range from romance to political. Every song can be interpreted differently. What’s your favorite song on the album? Why?

Nikka: (hums) They’re all like my little babies. God, It’s really hard to say. I’d like to say “Pebble To A Pearl” because its got real great groove and kind of an inspiring and intimately. And I love “I Love To Love You Less,” as well because its kind of tongue-in-cheek and kind of shows a since of humor in a setting that doesn’t sound like it would have one. Its sounds like a normal kind of standard ballad, but if you listen to the lyrics its very tongue-in-cheek.

Nu-Soul: The record is a lovely, contemporary piece. You should be proud. Do you feel the album is unfinished?

Nikka: No, if I felt it was unfinished I wouldn’t have put it out. (laughs)

Nu-Soul: So. Lastly, what’s next for Nikka Costa?

Nikka: Well, a tour in October. I’m going across the states and into Canada. I’m really really excited because I love playing live, and that’s really that’s why I make records, so I can get out on the road. Then I’ll be going to Europe in the New Year, and touring over there, which is going to be great. So really, the new year I’m going to playing and getting it out there.

For the edited original and published interview, go here: http://blog.nu-soulmag.com/?p=828

a Nikka Costa CD Review (Nu-Soul Magazine)

60s flowerchild or 70s disco Queen?

"Nikka Costa's "Pebble To A Pearl," is all the rage!"

By Marcus Scott

With the espousal of the 60s wild party Woodstock era encrusted in her latest recording Pebble To A Pearl, fiery contralto Nikka Costa has did the impossible: she’s found a way to manipulate metamorphosis through music.

Costa embraces her inner flower child with a sound familiar but abstract to previous releases Everybody Got Their Something and can’tneverdidnothin’, which sounded more discothèque and dance-rock oriented than this touching confessional.

The churchy but 60s Motown psychedelic shock funk sounds of lead single “Stuck To You” is a testimony to the record’s sound. The bluesy doo-wop backup a la Andrews Sisters by Costa is also an additional sexy bonus to the song, giving it that extra pop that would other make the song fizz out before the sultry bridge. With its jingle drum progression, handclap backbeat and Costa’s feisty belts, this song is a force to be reckoned with.

Trailing the first song is the Janis Joplin-esque acid-jazz anthem rock “Can’t Please Everybody.” Arguably the standout track on the album, Costa’s iron-clad husky-soul vibrato is like a chainsaw piercing through fine china as she reminds listeners that not everyone all at once is ever pleased. A simple message with Costa’s balls-out approach may back some into a corner while inviting others to the mosh pit.

The record, like most records, has its ups and downs. The problem: merely the arrangement of songs. The record which has a more soul-rock edge gets cooled down by the 70s disco-funk tunes that are like ice cubes in the white hot jungles of Costa’s high-energy music. Songs “Cry Baby,” “Keep Pushin’,” and the album’s title track are among the songs that branch between Studio 54 glitz and Woodstock rock, oddly sprinkled in sweet 60s glam. Nonetheless, even with the oddly-arranged ambient-like 70s tunes, the record oddly stays afloat without flat lining.
Honestly, there’s not a badly written or badly produced song in the bunch. Some of the most memorable are the least commercial. While “Bullets In the Sky,” a melancholy and atmospheric call-and-response between Costa and backup sounds like schoolhouse recess at its best, its more soundtrack than Top Ten single. Other songs “Damn I said it First,” and “Keep Wanting More” are high points. While the former is a sexy-sensual torch song, its downtempo may keep it only on chill-out radio, while the “Keep Wanting More” would need one hell of a music video for today’s cyber enthusiasts.

Nonetheless, this is Costa’s best effort in years. While finding a spunky creative energy to create such work, she may never be as commercial as some recording artists. However, where most artists have thrived, Costa has a card up her sleeve: This album would make one hell of a live performance. Think MTV Unplugged.

To see the original, go here: http://blog.nu-soulmag.com/?p=825

Dyme of the Month

This Carolina Honey is loving and living her life to the fullest. While Ms. Candice Monique says that she's still really new to the game, her poses and pictures show otherwise. Behind her fun smile lies the beauty, grace, and the "not a force to be reckoned with" attitude that every model is known to have. This North Carolina native talks about the rewards of modeling, both good times and hard times, and how to do what you got to do.

Ms. Monique is currently working with Carolina Honeys and Innovative Modeling. One of the best rewards of being a model, besides being featured in Diva Dymes Magazine, is being able to do a sexy photo shoot. Even though she’s used to being sort of tomboyish and goofy, Ms. Monique stated that a sexy photo shoot can change how you look at yourself. “Seeing myself in lingerie that is tasteful makes me feel proud and sexy about my body and curves,” she said. She is just as funny and friendly now as she was growing. “I was actually an outcast, nerdy, goofy, a little feisty,” she said. “But I stayed in my own lane and was cool with many.” Ms. Monique has always had an interest in modeling and went on various appointments, only to arrive home with some disappointments. “I went to model calls and was told I was either too short or had too many tattoos,” she stated. After she came across the work of photographer Chris McBrown, who works include some “Jet Beauties of the Week” for Jet Magazine, she signed up for a chance to be a beauty of the week and see what happens. Today, Ms. Monique feels that she feels that she really has a crossover appeal because of her ability to specialize in urban fashion, print and commercial, swimsuit, lingerie, and glamor modeling.

Ms. Monique also holds down a job as a medical assisting instructor, but she talks of how she would love to use her modeling career as means to use it for the greater good. She states that she would love to make a name for herself and then open up a community center or non-profit organization for low-income children whose parents are addicted to drugs. She also feels that with the right help, a young girl can overcome many and any obstacles and turn lemons into lemonade. Ms. Monique has definitely turned her sour hardships into sweet success after fighting some of her own battles. “I have overcome sexual and mental abuse, gangs, drugs, marrying at a young age and divorce … but I’m a trooper,” she said. “I take my testimony in stride and try to use it to help other brothers and sisters who need my insight.” Ms. Monique had some great friends to support her in her successes and trials, but how awesome is it to be married to your best friend?

Ms. Monique and her husband, Christopher, have known each other for four years prior to their marriage and he is her biggest fan. “Our foundation as friends makes a world of a difference, we have each other’s back no matter what,” says the model. Ms. Monique also states that the unselfish support from her husband makes her feel very blessed. When life gets hectic with work, social life, and home life, Ms. Monique believes that life can be both trying and humbling. God and her family are the main priorities in her life. She ends her thoughts with these strong words, “When you try to keep your spirit golden and put Jah first, everything else will fall into place.”

To learn more about Candice Monique, check her out atwww.myspace.com/1candicemonique.

To see the original article, check out www.divadymes.net.

"Hiding Blind" Review (Nu-Soul Magazine)

"Sarah White's Hiding Blind and stealing your favorite CD's place in your stereo!"

By: Marcus Scott

“Call me green because I’m jealous of her. You know she’s got nothing on me.”

You know what? She’s right.

Sarah White’s new EP record best titled “Hiding Blind” is kitsch yet a charmingly uncanny and mystical work of art. The smoky-eyed chanteuse is a songbird of a different flock with a sound fusing electrodub, crunk sounds, hip-hop, tribal and jazz-soul among other genres and interesting lyrical content. White does something rather odd: she sings in a somewhat haiku, on topics ranging from sexual encounters and unrequited love to rather interesting music.
White’s principal producer for “Hiding Blind,” DJ Don Cuco, gave White a sound that mirrors few artists while transforming her musical caricature and lyrical content into a new animal. White, who can be compared to beloved artistes India.Arie, Lauryn Hill and Sadé Adu, is given a distinct harmonious background known only to artistes M.I.A. and Björk with the aid of the compelling Cuco.



Songs “Big Dance,” “Dance on Mars,” “Freakness” and the EP’s title track are all magical surprises especially for a record only housing nine songs on its playlist. The former half of Black Blonde loosens up with the abstract jingle afrobeat-pop “Dance on Mars” which sounds like a dance-along ringtone. The song’s message: tribal music—or more so, music—is like Mars, another planet, provides to be a titillating experience with its African tribal funky backing vocals. The exceptionally bubbly “Big Dance” with its childish tease, unleashes a barbwire braced techno-grime electro-dancehall hip-hop groove is like going out after breaking-up and on the prowl.

Other songs “Freakness” and the title track, while parallels apart, complete the EP. “Freakness,” is a song that may recall raindrops falling into a tin can. However, its sexy, pulsating Arabic dance pop-Reggaeton, provies the album with an upbeat flare while the title track delivers a calm after the storm. “Hiding Blind,” a trip hop R&B, synth-soulful tour de force that maybe influenced by an early Des'ree effort is a great track for contemplating or singing in the shower because of the melody’s slow crawl.


The closing track “Walk Away,” featuring emcee Manifest, evokes the enchantment of the melodic sounds The Fugees’ “Ready or Not” with its hip-hop jive and its slow, sexy electro-synth dub, lovers rock flow.

The album is a gem. Sarah White’s an interesting entity for the masses. While a required taste, she’s right; no one can touch her.

Want to see the original? Go here: http://blog.nu-soulmag.com/?p=272

"Vladimir Cetkar" (Nu-Soul Magazine)

"We Will Never End" by Marcus Scott

Mambo. Ballroom. Soul. Funk. Soft Rock. Jazz. Vladimir Cetkar’s EP We Will Never End at first listen could be stereotyped and then, there’s magic. Maybe record label Harmonia Productions knew all along that Berklee College of Music educated Cetkar (pronounced Chet-kar), was their ace in hole. The Macedonian composer and guitarist vocalized, arranged and conducted arranged six libidinously lustful tracks that are erotica for the soul and an aphrodisiac for the mind.
Title track “We Will Never End” opens like an unreleased song from Michael Jackson’s “Off The Wall” but breaks into a sound reminiscent of the Miami Sound Machine. In mere moments the listener listens to a cherry bomb become dynamite, with its pausing tribal dance influences, its call-and-response phrases, and Cetkar’s mellow and breathy tenor. The following track, is also very similar to the Dean Martin 1954 dubbed mambo hit “Sway” and then in an instant, sweeps to a jazzy lounge dance run. But its not until Cetkar hits full falsetto in “All For You,” that would make any pop contemporary bow out of competition. The smooth jazz influence laces the track like angel dust and gives the song wings. By far an effort that is superhuman.
The closing of the record is sound, there’s clarity, and above all, inner peace. There’s a distinctive and temperamental reality to it that makes a statement to the listener: all music is not meant for ringtones and dancing; sometimes it meant to just enjoy. With its jazz-techno upbeat “Ocean of Love,” Cetkar rose-tints the record’s musical vernacular in movement by placing a fun techno record where one may propose a jazz single be and makes the blood stand and salute.
Now that’s real magic.

Go to Nu-Soul Magazine for full interview: http://blog.nu-soulmag.com/?p=270

Hanif-Jamiyl - Krushed Grapes (Nu-Soul Magazine)

"krushed grapes" by Marcus Scott

“Have you ever had your grapes crushed before?”
“Have I ever had my grapes crushed? Well I’ve been juiced before but I don’t know if I’ve had my grapes crushed before.”
Laced with smooth jazz rap influences that date back to the sleek and sporadic vocal delivery of hip hop super group A Tribe Called Quest, Hanif-Jamiyl delivers Krushed Grapes, a slinky, cat-like BUKARANCE Records contemporary album that definitely has sex on the brain.
A sound that may draw comparisons to hip hop legends LL Cool J, Rakim and Q-tip, Hanif-Jamiyl’s sound journeys to the mid 90s smooth hip-hop movement with sexy R&B funk grooves and hip-hop electronica backbeats. Tracks like “Take It off,” and “Insatiable Rose,” could make even an old school LL Cool J blush. “Insatiable Rose,” what could easily be seen as a sequel to the 1995 smash “Hey Lover,” takes Hanif-Jamiyl from the urban glitz seen in several radio everymen of the moment to supernatural ladies’ man when he coos and brings out the bass in his quasi-poetic baritone.
It is the song “She Got It all,” which samples Shelia E’s “The Glamorous Life” that brings the listener to their knees. With its quiet synths and electronic tinkles Hanif-Jamiyl is allowed to truly shine. His causal delivery blows him out of sync with several artists and makes one wonder if he found success in his craft a generation too late.
Who knows? But maybe it doesn’t hurt to get your grapes crushed.

Go to the website to see full-story: http://blog.nu-soulmag.com/?p=266

Lizz Wright (Nu-Soul Magazine)

How to make a tender heart ice cold and make it boil over...
Something this way comes in Lizz Wright's "The Orchard"

By Marcus Scott

Lizz Wright rekindles a gospel folk-soul dreamland where past musicians like Roberta Flack, Melissa Etheridge or Tracy Chapman have taken their craft and all before breaking out the funky electric guitars reminiscent of Carlos Santana with her third album, “The Orchard.”
The album, a step away from her original jazz and quiet storm roots, creates an uplifting air to Wright’s messages of love and tenderness with the signature of the wailing guitar. The in-the-mood atmosphere juxtaposes between the genres of Southern Soul, Blues, Urban Contemporary gospel and folk music but inspires may inspire little sympathy from listeners.
While Wright’s moving husky alto burns like blistering candle wax, the albums sound may draw many comparisons to other well-knowns like Corinne Bailey Rae (“This Is”), BB King and Muddy Waters (“I Idolize You”). The record varies with little range, and while exceptional on first listen, there aren’t any tracks that feel authentic in style or feel upbeat.
Wright’s effort feels more like a monologue after a while, with song after song, almost in repetition, baring the same muse. The album opens more like an old slave hymn spiritual and ends with a feeling of being buried alive. Her songs “Another Angel,” a soul ballad and “When I Fall,” a mid-tempo piece, wear a harmonious poker face and become void of emotion overtime.
However, thankfully there are three stand-alone tracks that may make the album easy to listen to. The Spanish guitar-tinged “My Heart,” coffeehouse folk ballad “Leave Me Standing Alone” and the soulfully wavering “Speak your heart” save the record. “My Heart” is a sexy groove and with Wright’s calm but raspy voice, creates a sleek pressure to the all-too-calm record that keeps its vitals stabilized. At first listen, “Leave Me Standing Alone” is an unstoppable object for meeting an unmovable object. The song, so lively and moving, is an oddity for the record’s slow boil. Lastly, “Speak your heart,” a song the reminds listeners of the smoky-eyed cigarette torch sirens of the Jazz era with its gospel vibes, Wright’s melismatic vocal runs and the song’s slow burn.
Overall, Wright is a talent, but understates her own genius. It shows in her subtly harsh music.

Highlights: “My Heart,” “Leave Me Standing Alone,” “Speak your heart”

To see the article printed, go to: http://blog.nu-soulmag.com/?p=268

Poetry Teaser

I'm shootin' my gun with bullets of verbal execution
oppressors tearin my down, expectin me to lose it.
Destruction of humanity, then 1914,
I can't inject myself with drugs of secular morphine.
Even before now and then, up until the where and when,
the original rebel snaked his way into instigate-
shuns, creating one too many hesitations, introducing human
dilapidations, exploiting negativity to the minions,
while the rulers keep embezzling the millions,
explaining how we're crokked in many, many ways not one.
I used to tell the smokers that my daddy died of cigarettes and
them increasing their chances of cancer are a better bet.
Call me pessimistic for this world that I'm living in,
because of the greediness, the rich and getting rich again.
Alcoholic fathers, abusing their own daughters,
tired mama keeps on giving in into his gin.
Yet I'm the one with all of the madness,
my enemy hurts me to cure his own sadness.
Doing what is right is not a sign of the week,
and those imploring pain will suffer defeat!
This is the result of our brothers and our sisters,
when they don't listen but they follow the resistor!


To be continued, eventually...

Janet’s “Discipline” Doesn’t Disappoint

After being released in late February, Janet Jackson’s tenth studio album, Discipline, has hit the number one spot on the Billboard 200.

Discipline is Jackson’s sixth album to reach number one on the Billboard charts and her first album to be released from Island Def Jam Records. Jackson has made a nice transition into the R&B genre and as usual, you can’t help but get up and dance when you hear the rhythm of the beat.

Like other successful Janet albums, Discipline begins with a story sequence and continues to flow in and out of each song. As shown in her video “Feedback,” the album contains more of a futuristic angle while mixing R&B, hip-hop and pop. While Jackson is known for embracing her sexuality in her music, some of her songs hint to regressions of her past love life.

“Can’t B Good” carries a steady beat, a soulful melody and lyrics that are reminiscent of her single “Every Time” from her 1997 Velvet Rope album. These two songs carry the same message of a fear of falling in love and getting hurt. However, she bounces right back to letting love flow with her other singles “LUV” and “Rock with U.” Jackson had renowned musicians and producers assist her with the album, such as Ne-yo, Missy Elliot and Jermaine Dupri. The legendary Jimmy Jam and Terry Lewis weren’t involved in production because of Jackson’s switch from Virgin Records to Island Def Jam a year after she released 20 Y.O., according to Billboard Magazine.

The criticism was both positive and negative from the public. While Rolling Stone viewed Jackson’s album as more of a digitized, sexier image of her sound, the PopMatters webzine had to remind its readers about the backlash Jackson suffered from the 2004 Super Bowl malfunction. That unfortunate accident led to declined sales in Damita Jo and 20 Y.O. It’s obvious that Jackson is too busy to be obsessing over that. When it all comes down to it, no clothing mishap can change the fact that Jackson delivers good music to her fans.

What happened to Jackson four years ago is over. Today, Ms. Jackson is number one on the Billboards.

New Paltz Oracle Vol 79, Iss. 21. 3/13/2008

Mark Ronson’s Version (Nu Urban Magazine)

Motown Soul meets Brit Invasion crisis equals sweet music with Mark Ronson's Version!

By Marcus Scott

Producer and heavy-hitter British-born New York DJ Mark Ronson made it big when he introduced the US mainstream to jazz-soul Ivor Novello Award siren Amy Winehouse with her 2007 smash “Rehab.” A few months later, he released the experimental dance-soul record “Version,” an album that’s equal parts British Invasion and Motown Sound, covering some of the Brit’s best with a Motown jig.
Ronson blindsides crowds everywhere with his techno go-go sound when he fuses the sexy vocals of crooner Melbourne R&B vocalist Daniel Merriweather on a cover of The Smith’s "Stop Me If You Think You've Heard This One Before," and blends it with the Supremes' "You Keep Me Hangin' On." This is a lovely pastiche of 60’s Memphis soul revue and a funk-driven, juiced-up brass sound. While Merriweather doesn’t do a thing to alter the heartbreak in Morrissey’s lyrics, Merriweather makes the lyrics inviting with is soft and sentimental tenor. Morrissey, who has stickler for the obscure and the heartbreaking, can always shed a tear: “smelt the last ten seconds of life/ I crashed down on the crossbar/ And the pain was enough to make/A shy, bald, Buddhist reflect/And plan a mass murder.”
But Ronson takes it a step further with “Valerie,” a Zutons’ track, that mirrors a Las Vegas showgirl act turned Northern Soul when he tag teams with Amy Winehouse. It sounds like she’s in a state of urgency, wailing like a Valkyrie, ringing the alarm on her way to war. Winehouse who sings the song without changing the song’s gender, breathes life into the song, altering the song’s rock-heavy sound into what could easily have been something out of a Motown’s rarity record.
The standout track on the album however, is “Oh my God,” a Kaiser Chiefs’ cover. Reggae vixen Lily Allen puts a smile on after her 2006 signature hit, and revs up the engine to create magic with Ronson. In her element, the song is a reggae tinged dance number with a sleazy-scandalous vibe that recalls a night out in the red light district, and it just works.
The album’s go-go Motown funk and hip-hop jazz savvy will compel Deejays and jazz folks for years to come. It has some dead spots but it cleans house.

To get a glimpse of the July/August addition of Nu Urban Magazine with a copy of the Mark Ronson album review, go to: http://nuurbanmag.com/2nd%20issue.html

On Barack Obama: Whose side is he really on? (Parle Magazine)

Barack Obama: Hopeless or Hopeful Candidate?
Is he too good to be true, or is he nothing more than a false messiah we should feed to the skeptics?

By Marcus Scott

Since his win in November of 2004, which granted him the electorial victory into the Senate with 70 percent of the vote, Illinois senator Barack Obama has beaten the odds in creating American history in the making.

In March 2004, Obama won the primary victory, becoming a US senator. Later, he delivered the keynote address at the Democratic National Convention in July 2004, which drew comparisons to exceptional public speakers such as former US presidents Clinton and Kennedy. His speech put him on the map, as he became a landmark for the ideal president. The US citizens were in awe. Endorsing presidential hopeful John Kerry at the event, he said electing Kerry would delieverthe one thing that citizens felt they needed: hope.

In Springfield, Illinois in February of last year, Obama announced his candidacy for President of the US in the 2008 US presidential election and this time, he’s spreading the faith. Placing incentives on government reform, he’s placed an emphasis on increasing energy independence, promoting universal health care as a keen issue and billing it as a priority for the nation, ending the war in Iraq, decreasing the influence of lobbyists. This everyman has hit a high that is beginning to delight people from all sides of the tracks—hippies, yuppies, conservatives, the ill informed—and may just be the next year’s president.

But, how does one endorse ideals that even a skeptic will except. Who knows? You just materialize the facts and stand back.

The 2008 elections so far have caused a stir in the political climate: With concerns about foreign policy, tax incentives, environmental issues, the value of education, healthcare, and of course, the war in Iraq, Obama and other superpowers have the US and the world-at large sitting at the edge of our seats. The world is watching, and everyone is looking at Obama. Obama has voiced several issues he’d like to implement once in office, particularly rules pertaining to immigration and the war in Iraq.

One of the key issues Obama has voiced is that of immigration. According to http://www.politifact.com/, in the last three years that he’s served as a US senator, Obama and former presidential hopeful, Hillary Clinton, accumulated virtually interchangeable records, as their Senate voting records are nearly identical. This includes loyalty to party lines, agreements with the priorities of liberal interest groups and opposition to the current president, with 38 key votes on big issues taken between 2005 and 2007. Clinton and Obama only voted differently three times. In addition to this, outside the sum of 910 votes where both participated, Clinton and Obama differed 5.9 percent of the time, or 54 times.

The plan, launched by Senator John McCain, who co-wrote the 2006 Senate bill on immigration with Edward Kennedy, provides a path to citizenship for most of the estimated 12 million plus undocumented workers in the US. Obama agreed with some parts of the plan as well, and called for the endorsement of economic development with Mexico as a way to decrease illegal immigration, and like his democratic rival, believes that family reunification is principle in immigration.

Another example of his efforts is that of the war in Iraq and the war on terrorism, an issue that differs in opinion and perspective between Obama and his Arizona rival, McCain. As a state senator, Obama spoke out against the war in Iraq, before it initiated and has long since supported a phased withdrawal (an issue most citizens are being to agree with). While, McCain spoke out that he is in support of funneling additional troops into Iraq than Bush recommends.
But it’s all too good to be true, right? Could it be the image that builds Obama into a superhero? People are convinced some people are convinced about his race more so than his policies. Some say he caters to the image of that of the Magical Negro, a stock character that rescues whites from peril. According to “Obama the ‘Magic Negro’” by opinion columnist David Ehrenstein, Obama is there to surpress white “guilt” and the minimal discomfort they feel with a black face running for president. Obama is even compared to the likes of Will Smith and Sidney Poitier. What does “not black enough” mean, anyway? Why is appealing to whites, bad?

Then, there’s the trust factor. According to “Obama Won't Accept Public Money in Election Campaign” by Jonathan D. Salant of http://www.bloomberg.com/, may have blundered or energized Obama’s campaign. On June 19, Obama became the first president to opt out of accepting public financing for his presidential campaign, making him the first major-party presidential candidate to turn down public financing, since the system was created in the aftermath of the Watergate scandal.Obama states the decision to do so was that he may raise far more than the $84.1 million he'd need in government funds. Around April 30, Obama raised $266 million, with $10 million of that for the general election. By May 31, McCain has raised around $110 million. Strategists agree that Obama has the possibility of fundraising more than $100 million for the general election.

However, while Obama is getting work done, this may prove fatal in the coming months. According to the website, before Obama began to rake in record breaking amounts in cash flow and donations, Obama guaranteed to concord with McCain to accept taxpayer-funded capital and spending limits that apply to it. But doing so, would have meant surrendering a significant surplus to McCain.

Of course, McCain's campaign reprimanded Obama for not infringing upon the commitment. McCain’s spokeswoman, Jill Hazelbaker, stated that he did not stand on principle by breaking the deal and that Obama’s 180 “undermines his call for a new type of politics.”
As Election Day draws to a close, Americans every where are at a standstill. You decide. Trading security for safety, the topics of immigration and the war in Iraq are key issues that every American has an eye on. Some questions need to be asked, and some will be answered on Inauguration Day: Who is the best choice, and who will provide the best incentives?

For more information regarding Parle Magazine, go to: www.myspace.com/parlenews

Hey There Beautiful People!!

Rahbi: A man of epic proportions
"R&B impresario crooner Rahbi unleashes an arsenal that speaks volumes with the 2008 funk savvy “Raw.”
By Marcus Scott
Rahbi is on his way to do big things. After a stint with Laface Records as one fourth of R&B’s unreleased 4th Avenue at age 14, this indigenous Atlanta local later found success touring with the likes of music favorites Floetry, Erykah Badu, India.Arie, and teen sensations Marques Houston and Pretty Ricky. Fugees’ legend Lauryn Hill even beckoned an appearance for a clandestine New York City jam session in 2005. But what is it about this guy? What makes him so special?
Honestly, Rabhi is poles apart from any artist out there. He lacks the diva of say artists like Beyoncé Knowles and Rihanna, the teenybopper quirkiness of say Chris Brown or the commercial appeal of say the Auto-Tune fueled T Pain. He’s uncanny in his delivery. He’s mystique in music persona. That’s probably why he’ll never have a star on the boulevard of Hollywood’s walk of fame. No one likes the avant-garde: On first listen, he could possibly be described as the love child of Madame Satã and Freddie Mercury and on another; he sounds like Andre 3000 on Gwen Stefani acid trip. With his relaxed, soulful vibrato and his flamboyant coos, this R&B crooner brings something to his record: substance.
Dripping with a souped up a synth anthem funk rock resonance, nu soul connoisseur Rahbi unleashes a sound that’s part drag ball, part after-hour rave bash in the flamboyant tour de force “Raw;” a gospel groovy pop-rocker that vocalizes a guy unwavering in his decisions to live life to the fullest. “Raw” encompasses a rather difficult style in pop music. For starters, Rahbi talks about everything from mass conformity to the romantics.
Rahbi creates an element that recalls a young Rick James, Cameo and Prince in this 24 hour party starter, kicking off the festivities with an introduction by the record’s emcee Clementine, recalling a night out at a cabaret. “He’s here,” featuring Madam CJ, introduces the music glamazon himself and warns listeners that they are in for the experience of a lifetime. Just after the introductions, Rahbi turns up the volume with “Bittersweet Sweet Dreams,” a re-visioning of the heavily-recycled 80s Eurhythmics’ classic “Sweet Dreams.” With this song, Ranbi talks about the relationship between record companies and artists, and creativity or the lack there of in popular music. Rahbi does Lennox proud in his attempt at songwriting, addressing the issue on rather one should blame the record label or the consumer for the current enlightening zeitgeist in today’s music scene with lyrics like: “Turn on the TV/ What do I see? / Not one trace of creativity” and “Who is to blame consumers or the record stores/ if someone can’t cook should we really ask for more?”
The album is rich, however, its not until its seventh track—“Edge of my life”—that the album finds a happy medium. Arguably the best track on the record, it enters with a familiar synth jive and is complemented with Rahbi’s jazz-lounge tenor, the song swings into full force into a 80s-style R&B high voltage hook. Its addictive Wahoo loops is something any artists of Rahbi’s caliber would kill for: Backed with operatic falsetto balladry between singer and back up a la Prince, Rabhi shines light that he is good music arranger.
However, the album has some dead spots. Tracks like “Never hurt you,” “Brothas and Sistas,” “Superstar,” and “Giving up,” are great songs but with such a high voltage album, the songs become mere fillers, thriving on a slow steady funk-soul binge. “Giving up,” a highlight on the record for example, is a song rooted in northern soul, complemented by a quiet lounge style that showcases Rahbi’s high-octane belting ability. The song would be excellent if the song was on a quiet, smooth jazz or soul recording, however, Rahbi makes an ill decision on including the song.
The album closes on a sexy romp. “Take you 2 a dream,” with its quiet synth tinkering acoustics gives us Prince’s best Sign ‘O’ Times impersonation yet! Its short duet with Lady J is something to make babies to with her Lady J’s soft mezzo soprano and Rahbi’s now-gruff tenor.
The record is a great mess of songs over all. The 80 Rick James mash-up “Another chance/Give it to me baby,” the hidden track of “Darling Nikki” (no doubt, from Prince’s landmark 1984 “Purple Rain” album) and the album’s concert feel show that Rahbi is on the rise to be a critical success to those of contemporary radio upstarts. With more experience, Rahbi is sure to warp the minds with his sure-fire creativity; however, there are some things he must endure. Rahbi relies too much on heavily-recycled 70s/80s inspired instrumental favorites, and while “Raw” is high energy is some spots, viewers may sum the record up as merely copying old school personalities. To add to the mixture, Rahbi is bigger than the record, showing much promise, but relies heavily on a neo-variation of scat-singing, melismatic hiccups and coos, and doesn’t go there: he holds back several times it seems, showcasing his talents, but not putting his heart soul into the songs he sings. The album is also inconsistent and therefore, finds itself in an identity crisis; it like Rahbi can’t decide if it’s an attempt at gospel jukebox or a funk-rock concert reincarnation.
Irregardless, Rahbi is a rock star. This is not the last we’ve heard of him. He’s too big to be cast in to the puddle of mediocrity seen in past pop-rockers.

See the edited and published version @ http://blog.nu-soulmag.com/?p=208

Tune in, Tune Out (Obvious Magazine: Premier Issue)

Tune In:

Is Television Your Child's New At-home Parent?

By Marcus Scott

On average, every day tens of thousands of parents leave children home alone in an empty house to run errands, work, or attend social functions. According to the American Academy of Child & Adolescent Psychiatry, an estimated 40 percent-plus children are left at home at some point in their lives. In a 1944 NBC documentary during the Second World War, the term “Latchkey Kid” orginated, referring to the house or apartment key around a child’s neck. When the war began, thousands of men enlisted into the army, as women found jobs to support their families, which initated newfound feminism in the wake industrialism. Since then, the number of kids left alone have nearly tripled. In fact, the State Department of Education estimated that some 600,000 to 800,000 children in California alone have been harmonized into the latchkey kid label.

In a 2002 United States Census survey, 5.8 million (15 percent) of most children between ages five and 14 years old living with a single-parent mother, care for themselves an average of 6.3 hours per week. Sixty-five percent of these children spend 2 to 9 hours at home alone.

Since its early beginnings as a system able to broadcast, transmit and receive shortwave 48-line images by the use of cathode ray tubes in 1928 to its first demostrations of eclectronic color, TV has become a different animal than it was half a century ago.Today, this simple box set is a pop culture messiah, with just as much influence as some of the oldest religions like that of Islam, Christianity and Judism.

When kids are left alone at home without supervision, all they have to come home to is a television. Odds are they are most likely to neglect homework and reading, and go to the magical box set to play video games, watch music videos and cable or satellite. While some may argue that there is nothing wrong with televison, the American Academy of Child & Adolescent Psychiatry sites children in the US are estimated to watch 3 to 4 hours of television every day, having spent more time viewing TV than they have been in the classroom.

While TV doesn’t pose a threat to some, it may have superpowers that may pose a threat to some children in the most opprobrious ways. Some critics have suggested that television has profound effects on alpha waves, but the waves are dimmished by drowsiness, sleep and with open eyes. Thought to represent activity of the visual cortex in a fainéant state, alpha waves are a type of brain wave predominantly found to originate from the occipital lobe during periods of waking relaxation when the eyes are closed. During this time people, especially kids, are induced in a trance-like state and therefore become “zombies.” This may be the key to television addiction.

The compulsion to watch television or television addiction has been studied over the years to which some arguments are accepted, while others are fait accompli. However, it’s a fact, kids are impressionable, and thus, can become co-dependents to the ideas reinforced by television. In the latest string of crimes committed by children left in homes alone with their siblings, some suggest that the extensive viewing of violence on television causes severe aggressiveness. Sometimes, the crimes are committed by viewing a single episode.

Parents can help their kids but it requires much attention to what their kids purchase, download, what’s popular on television and of course, their listening and viewing patterns. Be active. Some television is not appropreciate for children, with some shows and film that even glamorize the abuse of drugs, violence and alcohol or advocate fornication and sex that focuses on control (BDSM, incest, devaluing women, rape, etc.). The outcome leaves children anesthetized to violence and to gradually accept it a solution to solve problems, or become copycats of what they view; it’s like being propagandized.

Leaving children home alone with a television, often because of the cost of child care, is not the best alternative. Setting small and simple ground rules may lower risk of future dangers and may even increase your children’s attention to their studies.

Here are 5 tips to help you and your children, even with a busy schedule:

• Its okay to view what your kids are watching. This is a good way to find out what’s in and what’s out and to select developmentally appropriate shows.
• Set limits on the amount of time your kids watch TV and the amount they spent with it. This is an excellent way to offset a reduction in your child’s studies.
• Turn off the TV during family meals. If the game is on, and you’re worried about missing a moment, consider TiVo.
• Refuse to let young children view violent or offensive material, and point out fact and fiction. If a character is hurt or killed, help your child come to the understanding that in real life, this type of violence ends in injury or death.
• Disapprove of the violent material and stress that the acts seen on the silver screen are not how to resolve a problem.

Go to this website to get the full story: http://www.obviousmag.com/covers-and-lead-stories/2008/8/10/tune-in.html

Wining Tips: (Obvious Magazine: Premier Issue)

Stop Wining:
Wining and Dining on any budget

By Marcus Scott

Everyone wants the finer things in life; however, those “finer things” can burn potholes into one’s pockets. In every magazine imaginable—from lad magazines to women’s health quarterly—note quirky and exemplary methods to achieve the finer things but, let’s face it, saving a dollar a day isn’t the go-to technique it used to be. Also, there are times that one does not want to stay confined inside one’s home, and would rather leave a tip at the table than prepare and cook a meal.

While it is more cost-effective to prepare meals within the contours of our homes, preparing meals day-after-day could be tedious and mind-numbing event, and it is healthy eating out to fall out of this routine. But be careful, a play date here, a happy hour there, and by the end of the week, our spending could easily be equivalent to a trip at the mall. If one were to track spending habits and develop an inventive and resourceful budget plan, those “finer things” will be provided in excess. Here’s some tips on how you do it:

1. Rule of thumb: Skip the beverage. The taste of soda pop is tempting, but a beverage is a fifth of the cost a meal. Water is healthy, free, and you’ve saved a trip to the gym.



2. Breakfast, lunch or brunch are always the best choice because they are cheaper than dinner. The time of the day always matters, and lunch is on the menu usually until 4 p.m. While the lunch meals are smaller in proportion, they cost cheaper.



3. Vegetarian foods are less-expensive than meals that contain meat. If you can’t live without poultry or red meat, there’s always dinner.



4. Sharing is caring. It’s a great investment. First, call before arrival and find out the restaurant’s policy on dish-sharing. If there are restrictions, order an entrée. Some restaurants offer large and small option. Get a large, make a request for two plates, and if there’s a small child, share your meal or order a side dish.



5. Collect coupons or purchase an entertainment book. It’s a great alternative to finding new places and restaurants featured in these books offer coupons as a means to attract new costumers. Sometimes the coupons only save you a few dollars, some times, it’s half off. The other half could be used for another night.



6. If you’re trying to keep your figure, looking lose weight or are a light consumer of foods, simply order off the kids menu.



7. An appetizer can be just as fulfilling a dinner. Sales pitch: It’s cheaper, you can split the cost, and it would still be cheaper than a dinner.



8. Carry-out is definitely beneficial. Alone, you’ve been spared having to pay the waiter/server the required 15 percent tip.



9. Skip desert. Why? Odds are that one could buy something sweet elsewhere for a much cheaper price.



10. Always ask about the specials because chefs sometimes offer bargaining prices.



11. Lastly, pick one night of the 7-day week to wine and dine. You can probably use this money to plan a long-overdue vacation.

Don’t believe me? See for yourself, take these 11 little tips and budget for the month. Your pockets will literally mend the holes themselves!

To see the articles' full edit go to: http://www.obviousmag.com/featured-stories/2008/8/12/stop-wining.html

Political Neutrality, Government Apathy

Among the many issues and chaos in the political world [along with historical records and prophecies], are men capable of human rule?

  While driving back to campus from spring break, I noticed a bumper sticker on a nearby car that read, “DON’T STEAL, The government hates competition!” The bearer of such feelings is a candidate for maintaining apathy for the direction of local, national, and global governments alike. Government apathy can be classified as indifference or a lack of interest in anything concerning politics and government. People who avoid politics are considered as either un-American or seen as shamming a right that many people have been fighting to attain for many years. According to a study conducted by the Pew Research Center for the People & the Press, 40% of over 1800 Echo Boomers (our Generation Y brothers and sisters) haven’t included themselves in the voting process (Svoboda)*.

Neutrality is the state of supporting neither side nor political party, nor does it involve participation in local or global world affairs, wars, or controversies. It’s one thing for a person to be apathetic towards government rule, but when it comes to political neutrality, people either don’t know about it or they feel that it’s a myth. It’s another melting pot of mixed feelings: Can people really promise others a systematic way of life that’s free from oppression, suppression, depression, and repression? When it comes to politics, it’s evident that man has dominated man to his own destruction.

  Democracy, totalitarianism, and other ruling methods have resulted in not providing what we need. The world has food shortages, threats and outbreaks of wars, homelessness, fluctuating unemployment rates, and justice that is not JUST in any way, shape or form as well as discrimination of many forms. Those who are not in such situations are either enjoying temporary materialistic gains or are working everyday and praying that the next day won’t be eviction day. For a number of years, citizens of this earth have been hearing promises and have seen those promises broken. In order to attain peace on earth and free the world from the pangs of anarchy, all (not just many or some) must come together for total cooperation and not let selfish interests sidetrack the goal for unification.

Pardon me for sounding politically incorrect, neutral or apathetic, but the spirit of the world is not where it’s supposed to be. Just like people have their reason to choose sides in secular administration, others choose not to involve themselves in the redundant cycle of what can be called twisted elegance. There lies a plan to global perfection and equality, but greed and desire of power are causing discord and sadness. Prince said it right in his music when he sang, “Men aren’t fit to rule…Dear Mr. Man, what’s wrong with the world today? We tired.” 

*Generation Y showing increased political apathy by Megan Svoboda.

http://www.dailynebraskan.com/

Fahari-Libertad Magazine "Global WarNing" Issue April/May 2008

Authority over Sexuality

           It’s bad enough that some citizens depend on society for approval of daily life. We endure the fun times, like gender stereotyping, racial and sexist bias, and many other actions that seem to succeed at attacking the self-esteem or praise the ignorant narrative of another person.

            There are many books and magazines focusing on the issue of better sex with one’s lover, kama sutra sensations, and the legitimacy of studying sexuality. Because of the sensitive nature of the topic, some still don’t feel comfortable explaining this topic to others of old and young. Sad but true, it needs to be talked about.

            Society feels that black women have neither sexual control nor sexual morality (Wyatt). In a like manner, Hispanic women have endured poverty, homelessness, violence, and imprisonment separation all for the sake of love as told through the novel, Random Family by Adrian Nicole LeBlanc. Women who were sexually abused as a child logically believe that ‘trickin’ can be both a positive and a negative justification, similar to Annette’s situation in God Don’t Like Ugly by Mary Monroe. Myths are created in order to promote the false belief that certain people lack couth as opposed to the majority counterpart. What other myths need exploiting?

            Not everyone knows the sexual state of mind for a black woman unless one has valid experiences as a black woman. According to Dr. Gail Elizabeth Wyatt, author of the book, Stolen Women: Reclaiming our Sexuality, Taking Back our Lives, living in a sex-obsessed society results in the dangerous concept that black women must ignore their sexuality and result in being devalued as a whole. Dr Wyatt has conducted research in her book pertaining to this topic. One participant talked of wearing an extravagant outfit her husband bought for her for a special occasion. While she was waiting for the elevator in the hotel lobby, two Caucasian men walked passed the nicely-dressed woman and exclaimed, “She must cost at least $100!” Was she wrong for wanting to look pretty and boost her self-confidence or were the men wrong for their remarks?

            One can enforce the guarantee of sexual gratification from another person through the use of sexual coercion. This tactic includes persuasion, argumentation, cajoling, alcohol, drugs and sometimes physical force in order to get to sexual activity (Strong, Sayad and Devault). Sexual violence exists in the forms of sexual aggression, sexual assault/abuse, molestation, incest, and rape. Believe it or not, society must have a mandatory confrontation on this topic. If one says, ‘NO, STOP, DON’T TOUCH ME, ARE YOU DEAF…’ and the aggressor doesn’t feel the need to listen, his/her outlook is infected with the lack of knowledge as well as respect for themselves and others; however they’ll only hope they can sleep at night with ease.

            As previously mentioned, sex and sexuality are sensitive subjects. Yet it’s filled with so much corruption that can destroy the lives of so many innocent trying to make a living. It seems like a no way street because it’s hard to decipher which age is appropriate to talk about sex and sexuality with young children. In a like manner, it’s not a good idea to delay these important topics because one can obtain influences from the media, peer pressure, and observe behaviors from close friends. It’s time to transform the story of birds and the bees to one’s right over sexuality…as guided by the in-crowd.

 References:

LeBlanc, A.N. Random Family. Scribner Publishing, 2003.

Monroe, M. God Don’t Like Ugly. Kensington Books. 2000.

Strong, B., Sayad, B.W., & Devault, C. Core Concepts in Human Sexuality. Mayfield Publishing Company. 1995

Wyatt, Dr. G.E. Stolen Women: Reclaiming our Sexuality, Taking Back our Lives. John Wiley and Sons Inc. 1997 

Fahari-Libertad Magazine "Shh ... Say it Louder" Issue, March 2008

NU Urban Magazine launches 1st issue

I am credited as a writer, however, an article is not shown. Check it out at:

http://www.nuurbanmag.com/

Rose Marie on the Rise (excerpt)

With the new season approaching, everybody is making plans for the future. Glamour model Rosemarie Buster is looking forward to graduation, fashion shows, web designing and advancing in her achievements.

Ms. Buster is a native from Pullman, Washington who has been involved with modeling for a little over a year now. “A friend of mine who is a photographer was coordinating a fashion show for Hot Imports Nights [Company] in 2006 and she asked me to model for her in the fashion show,” says 23-year-old college student. From that point on, she decided to take on the modeling world and is enjoying the recognition and experience. While meeting new people and traveling around to various cities and countries are some of the benefits of such an exciting opportunity, there are some limitations and reservations to be aware of. “It’s very time consuming and you have to watch you spend…as well as be careful with the type of people that you work with,” Ms. Buster said. The one thing that is not included with Ms. Buster is the need to keep up with the latest fashion trends and styles.

For full article, check out www.divadymes.com.

Janet Jackson’s “Discipline” (Exclusive)

YOUNG VOICES Vol. 1 / Issue 5
17
Editor’s Note: All Pieces in this section are written
by Eboyne’ Jackson, unless otherwise noted. Enjoy.

By Marcus Scott

Only two years ago, Janet Jackson, the queen of New Jack swing and Dance-pop released her ninth studio album promptly titled 20 Y.O. The album, which featured rather reprehensible tracks from Jackson, garnered few hits, and Jackson knew she was ready for a comeback. Known very well for her pop-savvy and love-inspired tunes, including rather eclectic themes into her music (domestic violence, prejudice, depression, bondage), and out-of-this-world music videos, Jackson delivers Discipline. Discipline, Jackson’s 10th studio record is a far departure from the glory days of Control, Janet, and Rhythm Nation 1814, in fact, it’s in its own category. The 41-year-old singer-songwriter, dancer, thespian and record producer has merely recycled the all-too-familiar pop that she is known for, and included digitalized synthesizers and processed falsetto balladry.
On her Island Def Jam Music Group debut, Jackson was expected like megastars Prince and Madonna to leave her red light music and go for a family-focused and world-oriented sound because of ageism. With an all-star production team that consist of The-Dream (Rihanna’s "Umbrella," J. Holiday’s "Bed"), Jermaine Dupri (Mariah Carey’s "We Belong Together"), Darkchild (Britney’s Spear’s "Overprotected (remix)," Destiny’s Child’s "Say My Name"), and Ne-Yo (Beyoncé’s "Irreplaceable," Rihanna’s "Unfaithful"), Jackson delivers a lukewarm album. Ne-Yo, a Jackson fan himself, creates a slow, catlike quality to Discipline, however, falls flat in his enthusiasm. His signature contribution to the record is "Rock with U," a clever amalgamation of Kylie Minogue’s "Can’t Get You out of My Head" and Jackson’s brother Michael’s Off The Wall classic, "Rock With You." While "Rock with U" is a carefree, strobe light manifesto, it’s a sound that recalls Jackson’s 2001 effort, All For You. Other songs seem to be forgettable after their first listen such as the quixotic "What’s Ur Name" and whimsical "So Much Betta."
However, don’t think Jackson’s career has peaked. While the album appears to be merely one to compete with younger superstars like Beyoncé and Rihanna, there are few gems on this record. "Can’t B Good," a melodic quiet storm that recalls "I Can’t Help It" from her Michael’s soul-pop breakthrough Off The Wall is just exquisite, and the closest flash of depth on the record. Another song that recalls another artist is "LUV," Jackson’s third single released from the record. "LUV," a sound of familiarity to Mariah Carey’s Emancipation of Mimi record, gives Jackson a relaxed and Zen-like quality to her music, a contrast to some of the gaucherie of other songs on Discipline. Truly the stand-out feature is the lead single, "Feedback;" this is a sassy and traffic-stopping, club-stomper produced by DarkChild.
Oddly enough the album, something of a failure, is fastened with its easy transitional interludes. For example, "Bathroom Break," in only 40 seconds, quickly articulates the feel of the record and gives small depth of Jackson’s character. Throughout the record, Jackson even interacts with Kyoko, the record’s emcee to create a futuristic feel; a goal Jackson had intentions to begin with.
Although many may suggest that Jackson drop her knack for cracking whips and lust for voyeurism, and embrace an age-appropriate medium to those of her peers, Jackson releases a wildfire that some may find too hot to handle with this record. Jackson does a great job in creating a seductive climate, and reminds everyone why she is the megastar that she is. However, there are few up-tempo tracks on the record. Do not expect anything reminiscent of her classic records with this one, but look for something for Jackson’s next record; she’s evolving. Jackson, even at 41, is about to turn heads and start collecting.
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Raised in Albany, New York, Marcus Scott is a fan of music (from punk to classical, hip-hop to funk, soul to techno) and with keen interests in culture, fashion and politics, Marcus one day plans to work for or start a successful cultural magazine that stands next to the likes of Anthem, Filter, Ebony, GQ, and Fader. But he still has a long to go. Marcus is both honored and privileged to work with Krave Magazine. Scott has worked with ArtVoice: The alternative newspaper, Nu-Soul Magazine and Krave Magazine. This will be his debut working with Exclusive.

To see original, go here: http://2.bp.blogspot.com/_aZi3JtOF1zo/R-wkZ5sQZGI/AAAAAAAAAMA/ABadIIppGEQ/s1600-h/EX-+III.jpg

Be on the Lookout

Baby Brother, Baby Sister

Being the youngest sibling in a family, one can never escape the title of “my baby.” It’s a challenge to get rid of for both the baby and the family.

It takes time for both the youngest to accept it and the family to accept the baby is grown. Embarrassing stories of the past, the “naked-butt” infant photos, and the first time of asking mommy and daddy where babies come from is a part of one’s life history. Unfortunately, there comes a time to say goodbye to that precious baby boy and sweet little girl…because now we are grown folk.

When you’re the youngest in a household, some think that the perks of being the “baby” would be being spoiled by your parents, never getting in trouble and doing whatever you please without worrying about the consequences. Though some of this was true in my case, most of these things backfired on me later down the line. Being the youngest, I would get in trouble because I “didn’t know better”, being spoiled lead me to the mentality of being selfish and wanting everything for myself and not being able to do anything without careful surveillance or criticism. Safe to say, being the youngest isn’t always a fun thing. As a child, instead of doing kid stuff all the time, such as waking up to weekend cartoons or playing with my friends, I was expected to help do chores and handle my responsibilities. I scorned this idea for a long time, but now I’m glad that I got to learn these important skills in life especially at a young age.

The most crucial thing that affected me being young was my ability to be outside and learn how to get around by myself. I always had to stay close or be restrained to the “yard”. I now realize that it was out of protection that I was confined to these boundaries, but it really messed me up when it came to traveling or needing to handle situations by on your own. As the “baby,” you never get to explore your independence fully because there is always somebody doing something for you;”babying” you. In the present, when we, as the youngest sibling finally get to move on, we are properly prepared to handle the “adult” world. Well I’m here to say that I’m not trying to be the baby anymore. It’s time these grown-ups grow up, take the pacifier out their mouths and see us as the young adults we are.

I often wondered how Janet Jackson could deal with the constant reference of the kid sister or baby sister, despite her success and talent as a grown woman. However, one of the best tasks I’ve gain because of my nuclear familial status is observation. I was accused of having a major staring problem as a child, but I was trying to figure out how to think of interpreting the world. Without reading, my tactics involved heavy analyzing of pictures and objects in order to get around in life. I know I can always depend on my siblings for anything and everything; but I also know that one day, I would be on my own, without them. I had to observe what was done, left incomplete, what opportunities weren’t taken, and constantly be reminded that an alternate route doesn’t necessarily end the journey. Being warned of mistakes doesn’t mean that I won’t make my own original mistakes; things happen. How it is handled shows true maturity.

There was a time in which I was sweet, nice, and gentle little girl. I had no problem giving and helping. It becomes a problem when these characteristics are expected to be displayed on a daily basis. The irony is that the ones who teach you to stand up for yourself and not let others neither condescend nor take advantage of you turn into foes when you use their own advice against them. This introduces the feud of respect among one another. It just cracks me up because big brother and sister are too busy enforcing that that baby sister and brother must respect them when they can’t even respect that their little siblings are almost old enough to drink [alcohol]. With regards to constant bullying, respect is not given; it’s earned [Michael Jackson].

When the time came for baby girl to demand respect, she was belittled as either acting silly or nonsensical. The approach may have been confusing and ignorant, but the message is still the same. Challenging my older siblings can help me assert myself as a grown woman, while helping them realize that I’ve learned how to be cruel to be kind.

As the baby brother (V-Jay) and the baby sister (Reggy), all we ask for is some respect. We respect the fact that we’re young, but we are becoming adults day by day. So the next time you call us the baby, remember when you were young, BABY! Peace & Love.

By Regina Rivers(Staff Writer) and V-Jay John (President)
Fahari-Libertad Family Portrait Issue

Keller Williams (never cited as author)

Sunday, March 2

 

Keller Williams

 

Lauded for his nifty and savvy combo of prolific writing and technology, its rare when artist can create a diaphanous amalgamation between inviting harmonies and soothing lyrics. Courtesy of SCI Fidelity records, Keller Williams is looking to create a musical undulation with his twelfth album appositely titled 12. Celebrating nigh 15 years as a one-man band, Williams, guitar’s mad-scientist magically enforces a necromantic blend between classic rock acoustics, jazz, bluegrass, folk and reggae that cites favorites Sublime and The Grateful Dead; recalling a sound familiar to artists Ani Difranco and Jason Mraz. His album 12, a collection of standout tracks from his previous releases, with a newly released single is looking to create an ambient, melodious palpitation through the Buffalo atmosphere on Sunday. A band on the rise from their debut this summer followed by their enlivening rock performance at Bonnaroo, new band The WMB’S, will precede Williams when the doors open at 8 p.m.

 

- Marcus Scott

 

9 p.m. Town Ballroom, 681 Main St. $ 25 at the door, $21 advance. For more information, visit townballroominfo@gmail.com, or call (716) 852-3900

Go see the published link:

http://www.artvoice.com/issues/v7n9/see_you_there/keller_williams_and_the_wmds   

Krave #12: The Re-Invention Issue (un-edited)

The "Guess What? You can get it from oral sex too!" was written by Marcus Scott. Marcus Scott
Krave Magazine
“Mouth: The Dangers of Oral Sex”
In a time span that reveres in infidelity and kink, today’s Renaissance man and urban jungle hustler have altered the perceptions of social norms, and in this, their sexual climate. With more knowledge on the dangers of unprotected sex, the modern 21st century Lothario of today are not the free-spirited sexual polymaths they were in the 60s. However, the risks are just as or more dangers than their 60s counterparts.
Described as sexual activities initiated to stimulate the genitalia involving the mouth, which may include but are not limited to the use of the throat, teeth, tongue and lips, oral sex is a sexual act that even bares significant spiritual and cultural influence, cited in Taoism to Greek Mythology. All forms of oral sex include anal-oral sex (or rimming), cunnilingus (oral sex on the female genitalia), fellatio (oral sex on the male genitalia, universal referred to a blow job), tea-bagging (the act of placing a man’s testicles in his partner’s mouth), Ass to mouth (according to sources, a sexual act used for the removal of the penis from the passive partner's anus followed by the immediate insertion of the penis into the passive partner's or another partner's mouth), and lastly, autofellatio (the act of oral sex on one’s own genitalia), although the latter is often referred to as a form of masturbation rather than the act of oral sex. But that’s just it; some of us just don’t see this as sex.
Techniques aside, it is in fact that the human mouth is one of the most unclean places, and oral sex as an activity is an act used throughout an entire body such as the act of passionate kissing. There are many risks in obtaining pleasure as both provider and receiver in the act of oral sex. Most importantly, both parties can risk contributing to or attributing health risks from his partner because of the incidence of viruses, bacteria, parasites, or bugs on or in the mouth, penis, vagina, the anus or the rectum. Perhaps the most common of sexually transmitted diseases (STDs; ailments that have indicative feasibility of transmission between humans or animals by means of sexual contact) include but are not limited to Chlamydia, Gonorrhea, Herpes, human papillomavirus (HPV), intestinal parasites, and Hepatitis A, B and C. These aren’t the worst of one’s troubles, according to http://www.medindia.net/news/view_news_main.asp?x=5822, where a research study at the Malmo University Faculty of Odontology in the College of Malmö, Sweden in 2005, suggested that performing unprotected oral sex on a person infected with the human papillomavirus may increase the risk of oral cancer, because it has 40 different types of viruses and has been associated with cancer of the mouth, cervix or anus. Genital warts may also occur.
In addition to this, the case study “Control Study of Human Papillomavirus and Oropharyngeal Cancer” by D'Souza et al., advocate that people who have had more than five oral-sex partners in their given lifetime are 250% more likely to have throat cancers than those who do not participate in oral sex, suggesting that there is a correlation between throat cancer and oral sex. This gives accession to the belief that this is due to the transmission of human papillomavirus or simply because the virus has been involved in the majority of cervical cancers.
According to self-help books like the page-turner “Anal Pleasure and Health” by Jack Morin, Ph.D. and chic “The Ultimate Guide To Anal Sex For Women” by Tristan Taormin, when it comes to anal-oral sex, administering the mouth to the genitals promptly after despositing it to the anus can unconsciously introduce the Escherichia coli (commonly E. coli) into the urethra, initiating a urinary tract infection. While HIV and AIDS aren’t deep-rooted statisically, experts certify that there are still risk of acquiring HIV/AIDS from anal-oral sex.
Channeling a sex educator, every time you have sex, you engage in sexual activity, you’re taking risk. The best way to make sense of this is to maintain a snug, secure and healthy sex life. Of course the most advantageous way of not having to contact STDs is abstinence, however the use of latex or polyurethane condoms and dental dams are by far the best way to secure protection. However, if one wears a condom to loose it can defeat “the barrier.” Wearing it too snug it can risk infection if the condom tears, and leaving 1.5 cm or 3/4 inches of room at the tip for ejaculate is must. Last and most importantly, by claims of the Centers of Disease Control and Pervention (CDC), its best if one avoids the use of oil based lubricants with latex condoms, as the oils can eat holes into the latex.
In today’s society, oral sex is not seen as sex, in fact, its often seen as foreplay, merely an activity used before sex. However, foreplay is merely touching, massaging, caressing, kissing, role play and sometimes, outercourse. To raise eyebrows, can one catch an STD by a massage?
Sources:
Centers of Disease Control and Pervention (CDC) website—http://www.cdc.gov/
“Anal Pleasure and Health” by Jack Morin, Ph.D.
“The Ultimate Guide To Anal Sex For Women” by Tristan Taormin
http://www.medindia.net/news/view_news_main.asp?x=5822
http://www.lib.uiowa.edu/hardin/md/std.html
http://www.avsf.bm/STD%20facts.html
http://en.wikipedia.org/wiki/Sexually_transmitted_disease#Condoms